Profil użytkownika kirk-honeycutt
Violet & Daisy (2011)
It’s a film that doesn’t always work but when it does you almost hear an audible click. Violet & Daisy has its share of these ah-ha moments.
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Porfirio (2011)
The film falls into an interesting intersection between documentary and feature, between reality and fiction.
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360 (2011)
La Ronde 2011-style is simply a game and its makers expert gamesmen. The film is never less than intriguing. But the artifice shows all too clearly.
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Peace, Love, & Misunderstanding (2011)
i 1 inne zdjęcie
The saving grace to the utter predictability in Christina Mengert and Joseph Muszynski's screenplay is reasonably personable characters and spirited acting by director Bruce Beresford's c...
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Mahler on the Couch (2010)
The film's great gift, though, is Romaner. Unbelievably, this is the first film for the Bavarian stage actress. She fully inhabits the role of this complex personality whose passion for l...
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Sound of My Voice (2011)
Now Batmanglij and Marling deliver another terrific and engrossing venture into speculative fiction, Sound of My Voice.
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Paradise Lost 3: Purgatory (2011)
Joe Berlinger and Bruce Sinofsky's final film about the West Memphis Three demonstrates how the first two docs played a role in galvanizing national support to free the wrongly convicted ...
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Fireflies in the Garden (2008)
Dennis Lee comes up empty. Kids, parents, siblings, an aunt and an estranged wife all bicker and yell, but the noise cancels itself out. The movie is one long argument, tiresome and repet...
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Father of Invention (2010)
Comedies don't get much more unfunny than Father of Invention, a lame and somewhat preachy comic take on a father trying to get back into his daughter's good graces.
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The skin I live in (2011)
Like many lab experiments, this melodramatic hybrid makes for an unstable fusion. Only someone as talented as Almodóvar could have mixed such elements without blowing up an entire movie.
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What's Your Number? (2011)
Mild vulgarity and discreet nudity garner the sought-after R rating, but this effort feels forced. The real "bad" here is the sheer formulaic nature of everything. There are no surprises ...
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Finding Joe (2011)
Everyone's comments are thoughtful and articulate but everyone stays "on message" so steadfastly that no dialogue ever ensues. It's 20 people giving the same lecture.
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Bunraku (2010)
Moshe, who wrote and directed, creates a boldly Expressionistic alternate reality to background this heavy-on-the-action story, but neglects narrative and character beyond the most basic ...
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